Thais Ramos Varela/StocksyBy Sadie TrombettaOct. 1, 2018
Let’s face it: writing isn’t a simple task, especially writing something as complex and immersive as science fiction and fantasy. Luckily, there is plenty of helpful advise and inspiring words of wisdom out there for people who want to try it, including these quotes all aspiring sci-fi and fantasy writers should read from famous authors who know a thing of two about the subject.
Writing a book or even a short story can feel like an intimidating process, especially to aspiring authors who have only ever dreamed of doing such a thing. That is probably why there are so many different resources out there for writers, new and seasoned, who need a little help getting started. Go to a library or a bookstore and you’ll find plenty of guides about the craft of storytelling and the process of writing. Do a quick search online and you’ll discover dozens of podcasts, video lectures, and TED talks about creativity and imagination. Check out any course catalog at your local college, university, or community center, and chances are, there will be a class about writing fiction or creating a novel.
My point is that, even though from the outside looking in, writing can seem like an impossible task, there are plenty of tools to help you accomplish your goal. My personal favorite? Advice from authors whose work I know and admire. Whether it be in interviews, book talks, on their website Q&A page, or even on Twitter, many successful authors are happy and willing to share their insights with fans and aspiring writers who want to know how that, too, can get their books out into the world.
Whether you’re just getting started on your epic fantasy novel, or trying to find the motivation to finally finish your sci-fi opera, these 9 quotes from famous authors can help.
“I want the story to have a rhythm that keeps moving forward. Because that’s the whole point of telling a story.1 You’re on a journey — you’re going from here to there. It’s got to move. Even if the rhythm is very complicated and subtle, that’s what’s going to carry the reader.”
— Ursula K. Le Guin, in an interview with The Paris Review
“First forget inspiration. Habit is more dependable. Habit will sustain you whether you’re inspired or not. Habit will help you finish and polish your stories. Inspiration won’t. Habit is persistence in practice.”
― Octavia Butler, in Bloodchild and Other Stories
“Apply logic in places where it wasn’t intended to exist. If assured that the Queen of the Fairies has a necklace made of broken promises, ask yourself what it looks like. If there is magic, where does it come from? Why isn’t everyone using it? What rules will you have to give it to allow some tension in your story? How does society operate? Where does the food come from? You need to know how your world works.”
“We who make stories know that we tell lies for a living. But they are good lies that say true things, and we owe it to our readers to build them as best we can. Because somewhere out there is someone who needs that story. Someone who will grow up with a different landscape, who without that story will be a different person. And who with that story may have hope, or wisdom, or kindness, or comfort. And that is why we write.”
― Neil Gaiman, from The View from the Cheap Seats
“Don’t write [like] me. Write like you. Nobody else can do that. Finish that book.”
― J.K. Rowling, on Twitter
“It’s really hard for me to answer ‘why do you write the way you do’ questions, mostly because the answer is “because I feel like it.” I don’t mean that flippantly; it’s just that there isn’t another answer. I think non-writers must have the idea that writing is all somehow intentional and strategic and . . . it just isn’t. I feel the Force. I listen to my gut. I write what feels good.”
― N.K. Jemisin, in a Reddit AMA
“Let’s begin at the beginning. One of the most important decisions any writer makes is choosing the right idea to write about. The idea behind the story must do more than interest you (the writer); it must grab you by the throat and demand — forcefully, doggedly — that you tell that story.”
― Malinda Lo, in a blog post “How To Not Give Up When Writing”
“When you write a story you’re not trying to prove anything or demonstrate the merits of this case or the flaws in that. At its simplest, what you’re doing is making up some interesting events, putting them in the best order to show the connections between them and recounting them as clearly as you can.”
―Philip Pullman, from Daemon Voices: On Stories and Storytelling
“Just keep going. Write an entire monologue with your main character if you have to. Spend a chapter just exploring the life story of an antagonist. Write a scene with nothing but dialogue between your hero and your villain. Write a steamy love scene between your favorite couple. They don’t have to be scenes in chronological order. They don’t even have to end up in your book. But they will help you to keep going.”
― Marie Lu, in a “Pep Talk” for National Novel Writing Month
“In terms of the SF and fantasy genres in particular, consistently applied internal logic is absolutely essential. Genre readers want to believe, and your readers are happy to suspend their disbelief while your characters travel through hyperspace or battle the twenty-headed liger, but where they’ll start to turn on you and begin to complain that your SF and fantasy is ‘unrealistic’ is when your characters spend three days in hyperspace to travel eight light-years in chapter one then get home again in fifteen minutes in chapter nine. You’ve established that the trip takes three days, how can they suddenly go faster and why didn’t they do that before? Now our entirely created FTL drive is ‘totally unrealistic.'”
― Phil Athans, in an interview with Writers DigestIs the pound the most interesting currency?Sponsored by PEPPERSTONEGBP traders need to navigate – a central bank with credibility issues, Brexit problems, significant exposure to natural gas prices, stagflation, etc.
At 28, Tarana Burke Started Setting The Stage For #MeToo
The activist reflects on her “year of pushback.”
When Tarana Burke looks back at her late 20s, she often returns to memories of her child, Kaia. “My child turned 4, and we threw them a Dora the Explorer party,” she says. Soon after, the activist moved from Montgomery, Alabama, to Selma, in a relocation that she now remembers based on decorating a new bedroom for Kaia, “to make them happy,” she says. Kaia serves as an anchor for Burke’s 20-something memories. Which is not to say that Burke lost herself when Kaia was born – just that she was a working mom. “[I bought] my first real adult couch,” she tells Bustle, fondly remembering a $700 olive-green sofa from Ashley furniture. “At 28, I was adulting.”https://ccd4f1bf1a54106c302ece29099d9c8b.safeframe.googlesyndication.com/safeframe/1-0-38/html/container.html
The native Bronxite, who was working in Alabama at a fair housing office at age 28, remembers 2001 as “the year of pushback.” She set boundaries in both her personal and professional lives.
In the decades since, Burke, who’s now 48, has continued doing just that — and become a global leader in the proverbial field. In 2006, she coined the phrase “Me Too,” 11 years before it was co-opted online as a Twitter hashtag, which in turn became a verbiage-turned-rallying cry for people to confront sexual harassment and abuse. In September, she released her memoir, Unbound: My Story of Liberation and the Birth of the Me Too Movement, which chronicles her childhood in the Bronx and path to activism, and the civil rights lineage of the Me Too movement. The book debuted on the New York Times bestseller list and has been hailed by Oprah as “Searing. Powerful. Needed.”
Below, Burke talks with Bustle about catching discriminatory Realtors, September 11, and quitting her job.
“I stand up for injustice in the world, but I was a people pleaser.”
What key moments from age 28 do you remember?
I turned 28 in 2001, and my child turned 4 that year. It’s funny because I always remember 27 as my favorite year of my 20s. The beginning of 28 was tumultuous for me. I made some big decisions about friendships and relationships. I had a friend who was consistently inconsistent and always needed something from me, and always put me in terrible positions. So I decided to stop the friendship. We became friends again later, but I decided to put a pause on our friendship until she could get herself together, which I’d never done before. I put myself first. I remember that very clearly.
What were your other friendships like at the time?
I wouldn’t have gotten through my 20s, 30s, or 40s without my friends.
What were you doing in your career at 28?
My work was tied to housing issues in the Black community. I was the enforcement director at the fair housing office in Montgomery, which meant we dealt with housing discrimination. I would send a Black person and a white person to act like they were interested in a house and then come back and report their experiences. In Alabama, it wasn’t against the law to record somebody without their knowledge. So my job was to catch Realtors discriminating and also tackle predatory lending.
How long were you doing that?
One major decision I made at 28 was that I left my job. I had been at the fair housing office for about two years. The day the 9/11 terror attacks happened was awful, because my mom worked down the block from the World Trade Center. I was on the phone with her after the first plane hit. Then the second plane hit, and the phone cut off, and I couldn’t reach her and I fainted. My boss called me the next day to ask why I wasn’t at work on September 11.
Not a model manager.
She wasn’t a terrible person, but she was a terrible boss. She would come into the office by 11 a.m., put her feet up on a desk, and read the newspaper for hours. I was working like crazy, basically running the office. Then I got involved in the predatory housing lending project, which was a collaboration with another organization. She showed up at a meeting and said she wanted them to compensate me for my time. Her demand wasn’t necessarily bad, but she was only showing interest because money was involved. Then she threatened them that I wouldn’t work with them unless they put this money up. I was so angry at this idea of this white woman telling these Black people that she controlled me. Like, “Tarana’s not coming back.” So I quit and I went to work for them as a consultant.
What was that transition like?
It was my first consulting job ever, and I quit not knowing [if] they were going to hire me. I quit solely on the strength of not wanting this woman to dictate anything for me. How dare she go into another space like she ran my life, and say, “Tarana, won’t be returning unless you…” Nope. Tarana won’t be returning to you. How about that?
“It was the first time I broke free to do my own work and make my own way.”
You were saying how you wanted to be treated in the world.
I wanted my personal life to reflect my public life. I stand up for injustice in the world, but I was a people pleaser, so I had a hard time in my personal life doing those things.
How did 9/11 affect your family? What was that like for you?
Oh, it was awful. It was the first time I ever fainted. I fainted just like white women in the movies do. I was glued to the TV. People were running away at top speed and I knew [my mom] couldn’t run like that. Then I just collapsed, and my poor child was trying to wake me. My stepbrother lived in Atlanta and he drove a truck for a Glass company. He drove his company truck from Atlanta to Alabama to be with me. To sit with me. So I had this giant truck sitting outside my house with glass panels on the side that he was supposed to deliver somewhere in Atlanta. He was like, “I got to go get my sister.” [We couldn’t] reach anyone who lived in New York — his father, my mother, my little brother, no one. You couldn’t call anybody that day.
Did you guys sit around watching the TV or did you try to get your mind off things?
Jay-Z’s album The Blueprint dropped that day. My brother brought it with him and we just sat in the living room listening to Jay-Z. My brother told me, “This will calm you down.”
Did it calm you down?
It did help. I was a huge hip-hop and Jay-Z fan. We listened to that album like three times back to back to back. By the third replay, we were finally able to speak to family in New York and know everyone was OK. Then he just drove on back to Atlanta.
Looking back, how did your 28th year change your life trajectory?
Leaving that job allowed me to know I can do the work that I want without being tethered to a 9-to-5. I moved to Selma and started Just Be [Inc.], the organization that ended up starting Me Too. I wouldn’t have done that if I hadn’t quit that job. It was the first time I broke free to do my own work and make my own way. I forgot all of that happened in my 28th year.
This interview has been edited and condensed for clarity.